Movement School

Espacio Acuna

Europe Tour 2025

performer - choreographer - teacher

Yasmin Iriel is a dancer, acrobat, choreographer, and teacher of Argentine-Italian origin. A graduate of the Ballet Junior de Genève, where she worked on repertoire by choreographers such as Hofesh Shechter, Maguy Marin, Rachid Ouramdane, Thomas Hauert, Olivier Dubois, and Alexander Ekman, establishing a foundation deeply connected to European contemporary creation.

As a performer, she has worked as a full-time dancer with the national company UNSAM Danza and has collaborated with companies and projects in Europe, Asia, and Latin America including Alias Company (Switzerland), Cia. Araiz (Argentina), Kinema CIA (Argentina), Art Bora Kim's Project (South Korea), Wonderground Company (Spain), Vanholzers (Austria), Dans Invitro (Spain), and Mia Habbib (France), interpreting creations by choreographers and directors such as Oscar Araiz, Guilherme Botelho, Tom Weksler, Roser Tutusaus, and Raphael Miro Holzer, among others.

In addition to her work as a performer, Yasmin is a choreographer and founder of The System Company, a project that has presented its works in major venues and festivals in both Europe and South America, receiving awards, support, and grants. Her creations include the trilogy Sistemas de Fuga, Retro Vision, and Ecce Femme, performing from 2021 to the present.

She also shares her workshop Movimiento 360° internationally, being invited on numerous occasions to festivals, companies, and training programs such as B12 Research Or Die (Berlin), Descalzinha (Madrid), Bluebox (Vienna), Tanzhaus (Zurich), NunArt (Barcelona), Tanzfaktur (Cologne), Accademia Kataklò (Milan), Marameo (Berlin), SIC Dance Festival (Salento), Danseu (Tarragona), among many others.

Her current research focuses on the intersection of contemporary dance, acrobatics, and physical dramaturgy.

Yasmin Iriel Frione

INTRO-VISION is a theatrical piece that immerses the audience in the complexity of visionary knowledge processes amid a fast-paced and demanding world...

The program consists of carrying out a personalized learning process. Over these weeks, we will learn the fundamentals of 360° movement step by step with the help of more than 16 tutorial videos, including extensive physical conditioning, floorwork, acrobatics, research tasks, choreographic sequences, and improvisation.

ABOUT THE PROGRAM: 360° MOVEMENT

Level 1

Level 2

Program Format

Movement 360°

Press Coverage

Press

RETRO-VISION is a stage production that immerses the audience in the complexity of visionary knowledge processes amidst a fast-paced and demanding world. The narrative unfolds across three timelines, exploring the intertwined realities of various characters—or multiple voices of the same character inhabiting different moments in history simultaneously. At the core of the story, the audience engages with the challenges of understanding the complexity of human processes, confronting the pressures of the art market, which often favors immediate results and predictable formulas, thereby influencing creative processes. The critique of the art market manifests through the ethical dilemmas faced by one of the voices, who struggles against the efficiency that often prevails in the creative sphere. The work stands as a reflective critique that questions the priorities and values driving the artistic-cultural landscape of recent years, drawing parallels with Argentina's socio-political perspective. It manifests as an attempt to reclaim the processes of rediscovering our forgotten roots and essential foundations, revisiting visionary moments, the processes of INSIGHT.

Watch the full trailer of RETRO-VISION, a piece that explores the complexity of visionary processes in contemporary times.

Retro-Vision

SYSTEM, founded in 2020 by Yasmin Iriel Frione, is a company that investigates new forms of movement, performance, and the relationship between body and stage. Initially based in Buenos Aires, the company has presented its works in festivals and theaters across the city, various provinces in Argentina, and neighboring countries. It has been a resident company in different cultural associations, consolidating a strong artistic trajectory supported by state grants (Prodanza, Fondo Nacional de las Artes, INT) and performing in venues such as CCK, Tecnópolis, and other amphitheaters. Among its most notable works is the trilogy Sistemas de Fuga, which has toured multiple times, as well as the solos Intro Visión and Retro Visión. Currently, SYSTEM is based in Europe, with its new production Ecce Femme scheduled for a 2026 tour. It develops a scenic research practice that fuses contemporary dance, acrobatics, partner work, physical theater, and other performative elements. The conceptual thread connecting all its works is the deterritorialization of the body: escaping pre-established social and cultural patterns to discover new ways of reterritorialization. The pieces play with the delicate line between what happens on and off stage, crafting engaging experiences and enhancing the connection between performers and audience.